In her practice Hana Miletić takes a critical view of social and political issues in European cities. Her aim is to explore the formation of subjectivity, on the level of both the individual and the community. In her works she focuses mainly on carefully re-presenting immigrant stories. Documentary photography, more specifically street photography, lie at the core of her practice, however, she no longer considers these disciplines to be strictly photographic. She uses photography as a catalyst within the working process to mostly create publications and mixed media installations. Miletić is constantly searching for new ways to introduce non-monetary exchange and collaboration into the artistic process because in doing so she is able to establish a dialogue that she considers necessary when engaging with a variable social reality. She also utilizes photography as a tool to engage in social work. While doing so new areas of interest arise and can lead to the next body of work, which is not always necessarily collaborative.