Katerina Gregos

Katerina Gregos is a curator, lecturer and writer originally from Athens, based in Brussels since 2006. Since the summer of 2021 she is artistic director of the National Museum of Contemporary Art (EMST), Athens.

From the beginning of her professional activity, her curatorial practice has consistently explored the relationship between art, society and politics with a particular view on questions of democracy, human rights, economy, ecology, crisis and changing global production circuits.

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She has extensive experience in the international art world. She served in directorial positions for both private and public institutions (see further down). She has curated numerous large-scale international exhibitions and nine international biennials. Most recently she was chief curator of the 1st Riga International Biennial of Contemporary Art (RIBOCA1): Everything Was Forever, Until It Was No More, which she also instrumental in setting up as an institution (the exhibition was selected by both ArtNet and Hyperallergic as one of the top 20 international exhibitions of 2018).

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Gregos has also curated three National Pavilions at the Venice Biennale, Denmark (2011), Belgium (2015), Croatia (2019). Apart from her activities as an independent curator since 2016 she is curator of the visual arts programme of the non-profit, Munich-based Schwarz Foundation. She regularly publishes on art, artists, society and culture, in books, catalogues, and periodicals.

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Katerina Gregos has previously served as founding director and curator of the Deste Foundation’s Centre for Contemporary Art, Athens (in addition to serving as the curator of the Dakis Joannou Collection, during her tenure at Deste), for 5 years. At Deste she curated numerous exhibitions both from the Dakis Joannou Collection as well as independent shows, most notably Fusion Cuisine, a survey of feminist and post-feminist art (2002). In 2006 she moved to Brussels after being selected as artistic director of the public arts centre Argos – Centre for Art & Media, following an international competition. She oversaw the extension of the exhibition space (having commissioned the Dutch architecture bureau MVRDV for the job). Among the projects she curated there were early solo exhibitions of Clemens Von Wedemeyer, the Otolith Group as well as the group exhibition (and book), Being in Brussels, the first exhibition in Belgium that brought together the significant number of international artists living and working in Brussels. Gregos also served as artistic director of Art Brussels for four years, where she was on the gallery selection committee as well as in charge of exhibitions, special projects, conferences, as well as the performance and music programme. She introduced the policy of inclusion of non-profit spaces into a commercial art fair.