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Thomas Soetens & Kora Van den Bulcke (Workspace Unlimited)

They Watch, 2009-2010 © Workspace Unlimited


Kora Van den Bulcke

Kora Van den Bulcke (1972, Ghent, B) graduated as an architect at the University of Montreal in 1996. She received the Gold Medal of the Royal Architecture Institute of Canada for the "Invention Factory - Cultural House of the Future" project. From 1996-2000 she practiced as an architect in established architecture firms in the Netherlands, Belgium and Canada. Her theoretical architecture projects have been exhibited in museums and architecture institutions such as The Architecture Foundation (London) and the Lighthouse (Glasgow) for their innovative approach in architecture and technology.
Her vision of architecture is not limited to the design of future physical spaces, but also includes the creation of "hybrid space": mixed/augmented environments that coexist within the global culture of the Web. Though conceptually engaged with the materiality of architectural space and urban life, her creative output focuses on immersive technologies and electronic networks that activate a new field of relations between people, architecture and the broader environment.
In 2001 Kora Van den Bulcke associated with visual artist Thomas Soetens and co-founded Workspace Unlimited new media organization. Workspace Unlimited has been commissioned to create site-specific installations by leading media art institutions and festivals such as such as the new center for Experimental Media and Performance Art Center - EMPAC (New York), the V2_Institute for the Unstable Media (Rotterdam), the Museum of the Moving Image (New York), LABoral Centro de Arte y Creación Industrial (Gijón, Spain), the Society for Arts and Technology (Montreal) and Elektra festival (Montreal). The collective's work has been highlighted in numerous publications, including Space Time Play (Birkhauser 2007) and Interact or Die!  (V2_publications 2007). In addition to the artistic practice Workspace Unlimited also initiates research projects and workshops in collaboration with an international network of researchers, art institutions and universities.

Thomas Soetens

Thomas Soetens (1972, Kortrijk, B) graduated in 1992 as a visual artist with a master degree of arts at the St-Lucas School of Arts, Belgium. From 1992-2000 he had an independent practice as a painter and was represented on a permanent basis by established galleries in Belgium.
For the last few years Thomas Soetens has been creating a unique conceptual framework: an international hybrid platform that reflects the impact of contemporary technologies through new forms of interactive and participatory artwork created with game engines. His work addresses the intrusive character of technology, as well as the human (un)consciousness of the hybrid realities that emerge between artificial environments and their inhabitants, both virtual and real.
Since 2001 Thomas Soetens is founder and leading artist of Workspace Unlimited new media organization. Workspace Unlimited has been commissioned to create site-specific installations by leading media art institutions and festivals such as such as the new center for Experimental Media and Performance Art Center - EMPAC (New York), the V2_Institute for the Unstable Media (Rotterdam), the Museum of the Moving Image (New York), LABoral Centro de Arte y Creación Industrial (Gijón, Spain), the Society for Arts and Technology (Montreal) and Elektra festival (Montreal). The collective's work has been highlighted in numerous publications, including Space Time Play (Birkhauser 2007) and Interact or Die!  (V2_publications 2007). In addition to the artistic practice Workspace Unlimited also initiates research projects and workshops in collaboration with an international network of researchers, art institutions and universities.


They Watch, 2009-2010
© Workspace Unlimited
They Watch, 2009-2010
© Workspace Unlimited
They Watch, 2009-2010
© Workspace Unlimited
They Watch, 2009-2010
© Workspace Unlimited
Hybrid Space and the Panoramic Screen, 2008
© Workspace Unlimited
Hybrid Space and the Panoramic Screen, 2008
© Workspace Unlimited
Hybrid Space and the Panoramic Screen, 2008
© Workspace Unlimited
Implant, 2006
Re-imagining a public building as transmittable architecture, an ongoing and revisable place that does not adhere to our ordinary understanding of physics, nor to the continuities of space and time.
© Workspace Unlimited
Implant, 2006
Outside on the street, passersby will peer into Vooruit’s glass lobby to see a projected simulation of the same lobby seamlessly integrated with Vooruit’s façade.
© Workspace Unlimited
Implant, 2006
The architecture of Implant is full of perceptual incongruities virtual cameras that allow us to secretly follow other visitors, and project their journeys and activities onto walls in front of us. 
© Workspace Unlimited
Blind Love, 2004
Screenshot of Blind Love
© Workspace Unlimited
Devmap, 2004
While visitors may see each other’s avatars, chat together and be in the same space, the realities they each see and hear are completely different.
© Workspace Unlimited
Devmap, 2004
A living archive of the event that is fed back to each festival participant as a unique individually created experience.
© Workspace Unlimited
Devmap, 2004
A visitor in front of a projection at the DEAF04 festival navigating a virtual character.
© Workspace Unlimited
Extension, 2003
A networked virtual architectural extension “on top of” the Society for Art & Technology in Montreal.
© Workspace Unlimited
Extension, 2003
© Workspace Unlimited
Extension, 2003
© Workspace Unlimited
Screenshot of Eternal 60 seconds, 2003
© Workspace Unlimited
Diplomatic Arena Tier III, 2002
One of the deafening and visually bloody tiers depicting the ethical bankrupty of pre-emptive killing.
© Workspace Unlimited
Non-linear Storyscape, 2002
In EXTENSION, users can explore a number of interactive digital art installations created with the Quake III gaming engine.
© Workspace Unlimited


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Expertise centre for performing arts, music and visual arts.