Generally my work has it's origins in my conviction that a truly living culture can only arise from social structures and that the only theory a contemporary artist can feed on is necessarily a social one. I do not recycle existing forms, I try to make new ones based on my own background. Which is what distinguishes an artist from a marketeer. I try to inject the spontaneous energy from the street into my artistic practice, and I create my own contribution to the 'revolution of everyday life' in the shape of texts and objects.
Therefor, a recurrent element in my work is my protesting against cynicism and a preference for the sensuality and romantic value of the materials of the street, the ones the vagabond knows better than the bourgeois. But rather than a political activist, I like to call myself a poetical terrorist.