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Andy Wauman

Dirt End

Generally my work has it's origins in my conviction that a truly living culture can only arise from social structures and that the only theory a contemporary artist can feed on is necessarily a social one. I do not recycle existing forms, I try to make new ones based on my own background. Which is what distinguishes an artist from a marketeer. I try to inject the spontaneous energy from the street into my artistic practice, and I create my own contribution to the 'revolution of everyday life' in the shape of texts and objects.
Therefor, a recurrent element in my work is my protesting against cynicism and a preference for the sensuality and romantic value of the materials of the street, the ones the vagabond knows better than the bourgeois. But rather than a political activist, I like to call myself a poetical terrorist.

Dirt End
Soul Killers Don't Quit
White Sentenced
Adios Paradise
Robbed From Free Foreigner
Black Fall
Dance Wires Rose Thorns
Dance Wires Rose Thorns
Holiday Apocalypse & Spit Red
Holiday Apocalypse & Spit Red
Leaf Hooks Falling
Rack Novel
Rob Zone / Coma / 4the Reich
Errant Girl
Errant Girl
Almost Real
Ideal Ruins
Dead Squad Democracy
Tentoonstellingszicht Extra City, Antwerpen
The Chords Of Floor

Flanders Arts Institute

Expertise centre for performing arts, music and visual arts.